Cool Digital Film Images

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Some cool Digital Film images:

Digital film-making instruction
Digital Film

Image by Anthro136k Spring2011

Intern Connor Rowe (far right) helps students with digital film-making equipment.

Photo by: Erica Pallo

Image name: RET_SFPresidio_072111_EPiPhone4_1804_JPG

Original filename: IMG_1804

Photographs in this collection have been produced by Erica Pallo and Connor Rowe in order to chronicle the course activities of the students of UC Berkeley Summer 2011 Anthropology 136E class, under the direction of professors Ruth Tringham and Michael Ashley, as they digitally document and interpret the cultural heritage of El Presidio de San Francisco (the Presidio of San Francisco) from the 18th to the early 19th Centuries.

The purpose of the course is to focus on the real world challenge of documenting archaeological places through the creation of interpretive walks and non-invasive site installations, specifically at the Presidio of San Francisco. The course focuses on the tangible remains and documents of the past, but also the intangible heritage in the form of memories, knowledge, performance, and skills of the past of the San Francisco Presidio and El Polin Spring (Tennessee Hollow Watershed).

The course involves the design, field trial, and documentation of these different formats of representation of cultural heritage places, with an emphasis on practical digital field recording combined with geo-temporal databases. The aim is to seek alternatives to permanent markers of information about places, and their tangible and intangible heritage, especially in sensitive sites, such as national or regional parks. The course takes advantage of the many specialists in these technologies in the Bay Area, especially the Presidio Archaeology Lab of the Presidio Trust, with whom the class has contact and who have offered to contribute their help to the course.

The San Francisco Presidio (37°47′N, 122°27′W) and surrounding areas (like the Mission Dolores) was a military-occupied fortification controlled by various empires/governments throughout history including Spain (1776-1821), Mexico (1822-1846), and the United States of America (1846-1994 as an Army post, with the ownership of the park to be fully transitioned to the National Park Service by 2013). Archaeological excavations began on the site in 1993 after development expansion projects unearthed parts of the original stone foundation of El Presidio’s Spanish fort beneath the Funston Avenue Officers’ Quarters by archaeological consultants working for the the U.S. Army.

Photographs in this collection were shot between July 5-August 12, 2011 during the hours of 9am-4pm Pacific Time under a multitude of atmospheric conditions. Photos were captured on the following cameras: Apple iPhone 4 with an external lens device attached called the OWLE Bubo, Canon DSLR XSi/T2i, S95, Sony Cybershot, Canon Powershot. Lenses used include: Macro 60mm, Telephoto 70-200, Canon 18-55mm, Canon 17-85mm. A tripod was used for Gigapan, telephoto, and HDR shots. Various types of mobile phones were also used for documentation shots and Geo-tagging. The photos were post-processed in Apple iPhoto and Adobe Photoshop Lightroom 3.

Description written by Erica Pallo with excerpts originally prepared by Ruth Tringham.

All photos Copyright ©2011 Center for Digital Archaeology, Berkeley CA, licensed under Creative Commons BY-NC 3.0 For more information, contact Center for Digital Archaeology, Berkeley, CA, 94720 or visit: www.codifi.info

For more information about El Presidio de San Francisco, visit: www.presidio.gov, or the Presidio Archaeology Lab of the Presidio Trust at: www.presidio.gov/history/archaeology.

Digital film-making instruction
Digital Film

Image by Anthro136k Spring2011
Scott Calhoun, Media Programs Coordinator for CoDA speaks to the class about digital film making.

Photo by: Erica Pallo

Image name: RET_SFPresidio_072111_EPiPhone4_1794_JPG

Original filename: IMG_1794

Photographs in this collection have been produced by Erica Pallo and Connor Rowe in order to chronicle the course activities of the students of UC Berkeley Summer 2011 Anthropology 136E class, under the direction of professors Ruth Tringham and Michael Ashley, as they digitally document and interpret the cultural heritage of El Presidio de San Francisco (the Presidio of San Francisco) from the 18th to the early 19th Centuries.

The purpose of the course is to focus on the real world challenge of documenting archaeological places through the creation of interpretive walks and non-invasive site installations, specifically at the Presidio of San Francisco. The course focuses on the tangible remains and documents of the past, but also the intangible heritage in the form of memories, knowledge, performance, and skills of the past of the San Francisco Presidio and El Polin Spring (Tennessee Hollow Watershed).

The course involves the design, field trial, and documentation of these different formats of representation of cultural heritage places, with an emphasis on practical digital field recording combined with geo-temporal databases. The aim is to seek alternatives to permanent markers of information about places, and their tangible and intangible heritage, especially in sensitive sites, such as national or regional parks. The course takes advantage of the many specialists in these technologies in the Bay Area, especially the Presidio Archaeology Lab of the Presidio Trust, with whom the class has contact and who have offered to contribute their help to the course.

The San Francisco Presidio (37°47′N, 122°27′W) and surrounding areas (like the Mission Dolores) was a military-occupied fortification controlled by various empires/governments throughout history including Spain (1776-1821), Mexico (1822-1846), and the United States of America (1846-1994 as an Army post, with the ownership of the park to be fully transitioned to the National Park Service by 2013). Archaeological excavations began on the site in 1993 after development expansion projects unearthed parts of the original stone foundation of El Presidio’s Spanish fort beneath the Funston Avenue Officers’ Quarters by archaeological consultants working for the the U.S. Army.

Photographs in this collection were shot between July 5-August 12, 2011 during the hours of 9am-4pm Pacific Time under a multitude of atmospheric conditions. Photos were captured on the following cameras: Apple iPhone 4 with an external lens device attached called the OWLE Bubo, Canon DSLR XSi/T2i, S95, Sony Cybershot, Canon Powershot. Lenses used include: Macro 60mm, Telephoto 70-200, Canon 18-55mm, Canon 17-85mm. A tripod was used for Gigapan, telephoto, and HDR shots. Various types of mobile phones were also used for documentation shots and Geo-tagging. The photos were post-processed in Apple iPhoto and Adobe Photoshop Lightroom 3.

Description written by Erica Pallo with excerpts originally prepared by Ruth Tringham.

All photos Copyright ©2011 Center for Digital Archaeology, Berkeley CA, licensed under Creative Commons BY-NC 3.0 For more information, contact Center for Digital Archaeology, Berkeley, CA, 94720 or visit: www.codifi.info

For more information about El Presidio de San Francisco, visit: www.presidio.gov, or the Presidio Archaeology Lab of the Presidio Trust at: www.presidio.gov/history/archaeology.

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The Best Online Film

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The Best Online Film Production Company
If you have a creative streak and would like to publish a feature film or a short film, this is the right place. This online film production company gives you an opportunity to submit your film at this portal. The movie will then be available for rent. This independent film production company publishes film in different genres. They are the best choice for independent feature films. They aim to be a premier film studio. With almost three years of experience, you can count on this company for their online film rental capabilities.

Whether you are a filmmaker or producer, this portal has a solution for your needs. Similarly, even a distributor or film broker can enjoy services from this service provider. The process is quite simple. All you have to do is to login to the website and create a profile. When you submit the film, it is important to provide a trailer and five screenshots from the film before uploading the full-length film.

If you have been looking for a film production company or a distributor but can’t find anything within your budget, this is the right place. The process of distributing your film and making it available to the audience is quite costly. If you have made a film with a shoestring budget, this site can be of great help. This independent film production company charges you a small fee and a percentage of the money that your film makes from being either downloaded or streamed via the site. If you have some questions and concern, read the frequently asked questions.

Frequently Asked Questions

How Does It Work?

This film production company is a one-stop shop for independent films. Once you publish your film, it will be available on DVD and for immediate streaming online. When buyers rent your movie, they can watch it through the site for up to three days. Online film rental is a good option when you want to share your work with the world but don’t have an avenue. Typically, you will submit the movie to this company and viewers will pay money to watch it on the site.

How Can The Viewers Rent The Movie?

The viewers will only require an internet connection for streaming the movie online. A broadband connection with good speed would be required for viewing the movie. Viewers may also have to install the latest Adobe Flash plugin.

What Is The Process For Sharing Revenue?

The online film production company will charge you a nominal submission fee for submitting the film. The film streaming revenue will be split on a 50/50 basis.

Online film rental is a very good option when you want to publish your movie and reach out to the larger audience. You can enter a niche market with this online DVD rental company. The option is open to all and can help you share your work with the world. This service provider also has a privacy policy in place, so you don’t have to worry about copyright issues of internet fraud. If you haven’t made up your mind yet, register yourself for the newsletter and get the latest news about the company.

Online Film Production Company is a one-stop solution for all your publishing needs. This website offers services for publishing your feature film or a full-length film online. It gives you an opportunity to earn revenue while your movie is published and distributed online to lead the independent film production.

Find More Online Film Articles

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Starz Film Center

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Starz Film Center Reviews

Denver
900 Auraria Pkwy
Average Rating: 4.5 out of 5 (30 Reviews)

Review by Melinda S.
This is a smaller, older venue – Starz has its film base in Denver (animation in Toronto) and as part of their local support they set up this theatre on the…
Rating: 4

Review by John B.
I have nothing bad to say about this place. While it may not have the glitz and glamour of the mega movie houses, this place really feels like the type of…
Rating: 5

Review by Colleen O.
Pure love.

Especially The Watching Hour.

By the way, this place is now on Colfax: 2510 East Colfax in the Lowenstein CulturePlex
Rating: 5

Mayan Theater Reviews

Denver
110 Broadway
Average Rating: 4.5 out of 5 (136 Reviews)

Review by Lula L.
What a great spot. Super space with lots to look at re the design. We sat upstairs to wait for our film (go see, “Bully”!) and really enjoyed the vibe….
Rating: 5

Review by Sara S.
We ventured down to the Mayan last night to see The Raid Redemption.

I enjoy the concept of the theater as a whole, as well as the full bar. I also…
Rating: 3

Review by Robert M.
Great building and ambiance in main theater, but projection leaves much to be desired. The two upstairs theaters are never projected correctly due to the…
Rating: 3

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Cool Online Film Images

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A few nice Online Film images I found:

Film Fun, Soldier Arms! (September 1941) .. Wyoming drawing up doomsday bill to plan for fall of the United States (26th February 2012) …item 2a / 2b..Picture – Kid Rock & Sheryl Crow …
Online Film

Image by marsmet511
Like other states, Wyoming’s Department of Homeland Security has a management plan in place but that plan doesn’t cover extreme national emergencies such as total government meltdowns.

……..***** All images are copyrighted by their respective authors ……..

marsmet51 photostream

www.flickr.com/photos/31477514@N03/
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…..item 1)… Mail Online … www.dailymail.co.uk/news …. Wyoming drawing up doomsday bill to plan for fall of the United States

By NINA GOLGOWSKI

Last updated at 8:34 PM on 26th February 2012

www.dailymail.co.uk/news/article-2106711/Wyoming-drawing-…

Wyoming state representatives have voted to create a doomsday government task force in the event the state must self-sufficiently operate during a national economic or political collapse.

Passing on its first reading Friday, House Bill 85 would permit an investigation on issues like alternative currency, food distribution, a possible state military draft, and obtaining military aircraft.

The bill faces two more House votes before it goes to the Senate for approval.
.
………………………………………..

img code photo … military air craft

i.dailymail.co.uk/i/pix/2012/02/26/article-2106711-11EC11…

Protection: Some of the areas the task team would investigate are alternative currencies, food distribution and obtaining military air craft and possible drafts

F.E. Warren Air Force Base

………………………………………..
.

‘To put your head in the sand and think that nothing bad’s going to happen, and that we have no obligation to the citizens of the state of Wyoming to at least have the discussion, is not healthy,’ Rep Lorraine Quarberg, a Republican of Thermopolis said according to the Casper Star Tribune.

The amendment sponsored by state Rep David Miller, R-Riverton, is said to be in precaution, notably at a time when the national debt exceeds trillion.

More…

…Obama: ‘Rising gas prices are not my fault’
…Defiant banker leaves one per cent tip on 3 bill… and leaves additional tip for waiter to ‘get a REAL job’

The house vote came the same day the Bipartisan Policy Center, a Washington DC-based think tank, released a report cautioning the national debt limit’s own doomsday to be closer than previously expected.

The BPC expects it to hit .5 trillion between late November and early January of next year.
.
………………………………………….

img code photo … military air craft

i.dailymail.co.uk/i/pix/2012/02/26/article-2106711-11EC12…

Self-defense: USAF Thunderbirds are seen flying over Sheyenne Wyoming from the state’s air force base, which could be a part of the state’s planned national defense should the bill pass and the US fail

US Air Force / Matt Bilden

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Treasury Secretary Timothy Geithner testified before the Senate Budget Committee last week saying the US will reach its debt limit ‘significantly’ after September 30 when the fiscal years ends, but also ‘before the end of the calendar year,’ according to a Politico report.

The BPC credits the skyrocketing figures to unexpectedly low corporate tax revenues and the extension of the payroll tax holiday.

‘I don’t think there’s anyone in this room today that would come up here and say that this country is in good shape, that the world is stable and in good shape, because that is clearly not the case,’ Rep Quarberg said Friday for the bill.

Like other states, Wyoming’s Department of Homeland Security has a management plan in place but that plan doesn’t cover extreme national emergencies such as total government meltdowns.
.
………………………………………….

img code photo … US Debt Clock.org

i.dailymail.co.uk/i/pix/2012/02/26/article-2106711-11EC29…

Backbreaking: Wyoming’s proposed bill is said as precaution at a time when the national debt exceeds trillion (top left) and some warn of a bubble bursting for the dollar bill, similar to the housing one

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img code photo … US Treasury Secretary Timothy Geithner

i.dailymail.co.uk/i/pix/2012/02/26/article-2106711-11C54B…

National warning: The vote came the same day of a report claiming the US will hit its debt ceiling late this year or early next which US Treasury Secretary Timothy Geithner issued a similar warning of while testifying last week

Getty Images
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Not the first state to propose the brainstorming of alternative currencies in recent years, at least 11 others have proposed legislation for their own legal tender in the instance federal dollars become worthless.

‘I think we’re in the process of inflating a dollar bubble that could be very devastating,’ said North Carolina Representative Glen Bradley, R-Youngsville, early last year during his own legislative proposal according to the News Observer.

In addition to North Carolina, lawmakers in Colorado, Georgia, Idaho, Indiana, Missouri, Montana, New Hampshire, South Carolina, Utah and Washington have also proposed legislation in accepting currency of silver and or gold.
.
…………………………………………

img code photo … Gold Coins

i.dailymail.co.uk/i/pix/2012/02/26/article-2106711-052AD9…

Alternative currency: Gold and silver have been proposed by several other states’ lawmakers in recent years as alternative currency, should the dollar dissolve

Peter M. Fisher / Corbis

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The proposal of the hard metals and not paper bills follows in accordance with the US Constitution, in Article 1, Section 10, reading ‘No state shall … coin money; emit bills of credit; make any thing but gold and silver coin a tender in payment of debts…’

None of the states’ proposed bills have thus far been successful.

Wyoming’s proposed task force would be made up, among others, of state lawmakers, Wyoming’s Department of Homeland Security director, the state’s attorney general and its National Guard’s adjutant general.

The proposed bill originally appropriated ,000 for the emergency task force but was cut in half earlier this week by the Joint Appropriations Committee.
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…..item 2a)… youtube video … Kid Rock – Picture ft. Sheryl Crow [Official Video] … 5:01 minutes

www.youtube.com/watch?v=rKFx0MMqb48

Uploaded by KidRockVideos on Nov 15, 2010
© 2010 WMG. Visit Kid Rock’s Official Website kidrock.com/.

From the album "Cocky".

Category:
Music

Tags:
Kid Rock Sheryl Crow

License:
Standard YouTube License
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…..item 2b)… youtube video … Kid Rock and Sheryl Crow "Picture" … 5:44 minutes

www.youtube.com/watch?v=io3piX5K59M&feature=related

Uploaded by UnderTheDesertMoon on Aug 7, 2011
Phoenix AZ 8.5.11

Category:
Music

Tags:
Kid Rock Sheryl Crow Phoenix Picture

License:
Standard YouTube License
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PBS Online Film Festival
Online Film

Image by Mike Licht, NotionsCapital.com
Mike Licht, NotionsCapital.com

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Cool Download Digital Film Images

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Check out these Download Digital Film images:

Digital Super 8
Download Digital Film

Image by fotologic
This was a test to see if I could make a convincing Super 8 film using digital footage. I used png files made in Photoshop to distress the edges of frames, dropping these into iMovie 08. I then exported these to iMovie 06 to add the old movie video filter. I downloaded the cine projector sound file from Freesound. I’m fairly pleased with the result even though this is bizarre thing to want to do in the first place. It’s about time I got all my old Super 8 film out of the loft and digitized it. I miss them.

Many cameras
Download Digital Film

Image by Rockies
I happened to have a third camera (Kara‘s) for a couple of days so I lined them all up. Dave stopped by and took a picture.

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Old Film Camera Out Digital

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Old Film Camera Out, Digital Camera In

Digital cameras have created a revolution in the world of photography. Although this maybe a tad too expensive, the results can be absolutely marvelous. Unlike others, Digital Photography captures an image via a set of binary codes. These images are transferred from the picture card to a PC for printing with the help of a USB (universal serial bus). The picture card is made up of flash memory modules or recordable CDs. You can also transfer the digital photographs to a website for viewing. The digital photographs on the website can be updated using the various tabs available. This will help in viewing the digital photographs in various formats.

Digital Photography vs. Traditional Photography

Digital Photography requires less work and is less expensive. Traditional Photography is time consuming and needs a lot of details like photocomposition, lighting, styling and other factors.

Advantages of Digital Photography

1 ? See and improve pictures in a heartbeat
You can review pictures instantly with a digital camera, so you’ll be taking better pictures than ever before. Like somebody frowning, somebody acting like a clown. It is just another picture.

2 ? E-mail and print photos instantly
Share digital photographs seconds after taking them; e-mail them anywhere; print them at home or online; or place them in an online album, so friends and family can view your digital photographs and order prints.

3 ? Perfect your pictures with the “digital magic”
Was a digital photograph too dark? Did someone have red eyes? That is okay. You can use picture-editing software to lighten the digital photograph. These help in cropping the digital photographs and make lots of other improvements after you take the picture.

4 ? Unleash your creativity
Fulfill those creative urges. Turn your digital photographs into photo greeting cards, high quality prints, CD album covers, photo T-shirts, online slide shows.

5 ? Enjoy pictures and enjoy life!
Invigorating, exciting and delighting. Digital photography is all these things and more. Escape into a realm where you can do almost anything you want with your pictures.
6 ? The promise of preview!
In digital photography the images can be viewed even before they get printed. If you do not like the digital photograph that you have taken you can simply edit them to your taste.

7 ? No usage of chemicals!
Digital photography does not involve the use of any kind chemicals that is otherwise needed for the development of a traditional film. Here you also do not have to wait for finishing the film roll already loaded onto your camera. Digital photography lets you take as many photographs as possible.

8 ? No more film rolls
It is bye bye to those good old days when you have to buy rolls of film and pay for developing it. With Digital Photography there is no more of those double trips to the shop to drop your negatives and then to pick them up.

Application of Digital Photography

Today digital photography is used for all kinds of photographic takes, especially for studio shots. One reason digital photographs are so popular is because they are so simple to share. One minute the picture is in your camera, the next it is gone around the world to a friend. So, now it is your turn to get yourself a new digi cam.

Capture your favorite moment with a portrait from photo oil painting. We have an expert portrait artist waiting to create your masterpiece.

More Digital Camera Articles

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The Best Online Film Production

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The Best Online Film Production Company

Article by Morris Kim

If you have a creative streak and would like to publish a feature film or a short film, this is the right place. This online film production company gives you an opportunity to submit your film at this portal. The movie will then be available for rent. This independent film production company publishes film in different genres. They are the best choice for independent feature films. They aim to be a premier film studio. With almost three years of experience, you can count on this company for their online film rental capabilities.

Whether you are a filmmaker or producer, this portal has a solution for your needs. Similarly, even a distributor or film broker can enjoy services from this service provider. The process is quite simple. All you have to do is to login to the website and create a profile. When you submit the film, it is important to provide a trailer and five screenshots from the film before uploading the full-length film.

If you have been looking for a film production company or a distributor but can’t find anything within your budget, this is the right place. The process of distributing your film and making it available to the audience is quite costly. If you have made a film with a shoestring budget, this site can be of great help. This independent film production company charges you a small fee and a percentage of the money that your film makes from being either downloaded or streamed via the site. If you have some questions and concern, read the frequently asked questions.

Frequently Asked Questions

How Does It Work?

This film production company is a one-stop shop for independent films. Once you publish your film, it will be available on DVD and for immediate streaming online. When buyers rent your movie, they can watch it through the site for up to three days. Online film rental is a good option when you want to share your work with the world but don’t have an avenue. Typically, you will submit the movie to this company and viewers will pay money to watch it on the site.

How Can The Viewers Rent The Movie?

The viewers will only require an internet connection for streaming the movie online. A broadband connection with good speed would be required for viewing the movie. Viewers may also have to install the latest Adobe Flash plugin.

What Is The Process For Sharing Revenue?

The online film production company will charge you a nominal submission fee for submitting the film. The film streaming revenue will be split on a 50/50 basis.

Online film rental is a very good option when you want to publish your movie and reach out to the larger audience. You can enter a niche market with this online DVD rental company. The option is open to all and can help you share your work with the world. This service provider also has a privacy policy in place, so you don’t have to worry about copyright issues of internet fraud. If you haven’t made up your mind yet, register yourself for the newsletter and get the latest news about the company.

Online Film Production Company is a one-stop solution for all your publishing needs. This website offers services for publishing your feature film or a full-length film online. It gives you an opportunity to earn revenue while your movie is published and distributed online to lead the independent film production.

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Usc Film School A

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USC Film School – A Review

I attended the undergraduate film program at The University Of Southern California and then proceeded with my film education at New York University where I graduated with a BFA.  During my time at USC I attended numerous classes and worked on several productions of friends that were in the program.  In this short essay I’ll try and give an overview of what I view as the strengths and weaknesses of the program as I see them.

The Location

The USC School of Cinematic Arts is located on the main campus of the University of Southern California which is located just south of downtown Los Angeles in an area bordering what is considered southwest LA.  For those unfamiliar with Los Angeles and USC, the school consists of a well maintained and manicured campus that is enclosed as an ‘oasis’ from the surrounding areas of east LA which are not nearly as nice.

Traditionally, the west side of Los Angeles is what people think of when they think of the beaches and nicer suburban areas as well as Hollywood and Beverly Hills which are just east of the ocean communities but west of USC.  While those living on campus enjoy a nice environment, it is generally accepted that venturing too far away from the main campus is not the best experience with many if not most students choosing to leave during the weekends as the school does have a strong commuter element to it.

The Curriculum

The USC Undergraduate Cinema Program is structured in three tiers, the 200, 300, and 400 level with each tier of courses increasing in complexity and generally relying on the successful completion of those levels below.  While you have a choice between several options depending on your area of interest there are some required classes including the ‘core’ classes of Cinema 310, generally taken in junior year and Cinema 480, generally taken senior year.

Cinema 310 and 480 are the core production classes of the program where students are put into either teams or crews and produce their larger productions.  While Cinema 310 consisted of non-synced sound and 480 was a larger more sync-sound production, things have evolved over the years.  Both courses have a ‘screening’ in a sort of festival at the end of the semester where students show their films to each other and family and friends are invited to view them.  The very best of these can often be used as portfolio pieces to gain representation although usually they are not of the quality or length of the graduate level films.

The facilities of the school of Cinema/Television at USC are outstanding.  George Lucas, one of the school’s notable alumni, has made numerous substantial donations to the school and recently donated 5 million to build a large expansion of the school.  In addition, Steven Spielberg and others have donated money for facilities.  The current school is built like a small studio with notable buildings including The George Lucas Instructional Building, The Steven Spielberg Music Scoring Stage and The Marcia Lucas Post-Production Building.

The Professors

USC has a very good and dedicated staff of professors consisting of both full-time as well as adjunct faculty.  Most professors have an extensive history of working in the feature film and television industries with several having been nominated for Oscars and Emmys.  In the past, the school has had numerous famous faculty including Irving Thalberg, Alfred Hitchcock, D.W. Griffith and Darryll Zanuck.

After Graduation

USC has a very powerful and large alumni network with numerous alum working in virtually every area of Film and Television Production. Only NYU is comparable in numbers and quality of alumni in the industry.  Smart students utilize this resource to gain informational interviews and internships to ease the transition into the work world after graduation. 

 Internships are available through the school at virtually ever studio and numerous post production companies as well as agencies and other areas.  Internships are a great way not only to make connections but to ‘explore’ different areas of the industry before deciding on a career path.  For more great information about film school please visit www.USCfilmschool.com.

With Degrees in Film, Real Estate Finance and Development as well as Psychology, Robert Levin writes expert articles covering a broad range of issues. Some of his websites include: www.toptenmba.com,
www.MBAonline.me, www.lawdegree.me, www.selfawareness101.com and www.tvwriter.me

Full-length Bollywood movie Deewana. Ravi, a promising singer, marries Kajal, but is soon murdered by his greedy uncle and cousins. Kajal lives the traditional life of a Hindu widow until she is swept off her feet by wealthy businessman Raja. They have a happy married life until Ravi suddenly reappears, dazed and confused. Listen to hit Bollywood songs at www.saavn.com Brought to you by Saavn, the world’s largest distributor of South Asian (Bollywood) music, movies, and television shows for on-demand, broadband, mobile and IPTV platforms.
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Nice Digital Film Photos

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Check out these Digital Film images:

Digital film-making instruction
Digital Film

Image by Anthro136k Spring2011

Intern Connor Rowe (far right) helps students with digital film-making equipment.

Photo by: Erica Pallo

Image name: RET_SFPresidio_072111_EPiPhone4_1804_JPG

Original filename: IMG_1804

Photographs in this collection have been produced by Erica Pallo and Connor Rowe in order to chronicle the course activities of the students of UC Berkeley Summer 2011 Anthropology 136E class, under the direction of professors Ruth Tringham and Michael Ashley, as they digitally document and interpret the cultural heritage of El Presidio de San Francisco (the Presidio of San Francisco) from the 18th to the early 19th Centuries.

The purpose of the course is to focus on the real world challenge of documenting archaeological places through the creation of interpretive walks and non-invasive site installations, specifically at the Presidio of San Francisco. The course focuses on the tangible remains and documents of the past, but also the intangible heritage in the form of memories, knowledge, performance, and skills of the past of the San Francisco Presidio and El Polin Spring (Tennessee Hollow Watershed).

The course involves the design, field trial, and documentation of these different formats of representation of cultural heritage places, with an emphasis on practical digital field recording combined with geo-temporal databases. The aim is to seek alternatives to permanent markers of information about places, and their tangible and intangible heritage, especially in sensitive sites, such as national or regional parks. The course takes advantage of the many specialists in these technologies in the Bay Area, especially the Presidio Archaeology Lab of the Presidio Trust, with whom the class has contact and who have offered to contribute their help to the course.

The San Francisco Presidio (37°47′N, 122°27′W) and surrounding areas (like the Mission Dolores) was a military-occupied fortification controlled by various empires/governments throughout history including Spain (1776-1821), Mexico (1822-1846), and the United States of America (1846-1994 as an Army post, with the ownership of the park to be fully transitioned to the National Park Service by 2013). Archaeological excavations began on the site in 1993 after development expansion projects unearthed parts of the original stone foundation of El Presidio’s Spanish fort beneath the Funston Avenue Officers’ Quarters by archaeological consultants working for the the U.S. Army.

Photographs in this collection were shot between July 5-August 12, 2011 during the hours of 9am-4pm Pacific Time under a multitude of atmospheric conditions. Photos were captured on the following cameras: Apple iPhone 4 with an external lens device attached called the OWLE Bubo, Canon DSLR XSi/T2i, S95, Sony Cybershot, Canon Powershot. Lenses used include: Macro 60mm, Telephoto 70-200, Canon 18-55mm, Canon 17-85mm. A tripod was used for Gigapan, telephoto, and HDR shots. Various types of mobile phones were also used for documentation shots and Geo-tagging. The photos were post-processed in Apple iPhoto and Adobe Photoshop Lightroom 3.

Description written by Erica Pallo with excerpts originally prepared by Ruth Tringham.

All photos Copyright ©2011 Center for Digital Archaeology, Berkeley CA, licensed under Creative Commons BY-NC 3.0 For more information, contact Center for Digital Archaeology, Berkeley, CA, 94720 or visit: www.codifi.info

For more information about El Presidio de San Francisco, visit: www.presidio.gov, or the Presidio Archaeology Lab of the Presidio Trust at: www.presidio.gov/history/archaeology.

Digital film-making instruction
Digital Film

Image by Anthro136k Spring2011
Scott Calhoun, Media Programs Coordinator for CoDA speaks to the class about digital film making.

Photo by: Erica Pallo

Image name: RET_SFPresidio_072111_EPiPhone4_1794_JPG

Original filename: IMG_1794

Photographs in this collection have been produced by Erica Pallo and Connor Rowe in order to chronicle the course activities of the students of UC Berkeley Summer 2011 Anthropology 136E class, under the direction of professors Ruth Tringham and Michael Ashley, as they digitally document and interpret the cultural heritage of El Presidio de San Francisco (the Presidio of San Francisco) from the 18th to the early 19th Centuries.

The purpose of the course is to focus on the real world challenge of documenting archaeological places through the creation of interpretive walks and non-invasive site installations, specifically at the Presidio of San Francisco. The course focuses on the tangible remains and documents of the past, but also the intangible heritage in the form of memories, knowledge, performance, and skills of the past of the San Francisco Presidio and El Polin Spring (Tennessee Hollow Watershed).

The course involves the design, field trial, and documentation of these different formats of representation of cultural heritage places, with an emphasis on practical digital field recording combined with geo-temporal databases. The aim is to seek alternatives to permanent markers of information about places, and their tangible and intangible heritage, especially in sensitive sites, such as national or regional parks. The course takes advantage of the many specialists in these technologies in the Bay Area, especially the Presidio Archaeology Lab of the Presidio Trust, with whom the class has contact and who have offered to contribute their help to the course.

The San Francisco Presidio (37°47′N, 122°27′W) and surrounding areas (like the Mission Dolores) was a military-occupied fortification controlled by various empires/governments throughout history including Spain (1776-1821), Mexico (1822-1846), and the United States of America (1846-1994 as an Army post, with the ownership of the park to be fully transitioned to the National Park Service by 2013). Archaeological excavations began on the site in 1993 after development expansion projects unearthed parts of the original stone foundation of El Presidio’s Spanish fort beneath the Funston Avenue Officers’ Quarters by archaeological consultants working for the the U.S. Army.

Photographs in this collection were shot between July 5-August 12, 2011 during the hours of 9am-4pm Pacific Time under a multitude of atmospheric conditions. Photos were captured on the following cameras: Apple iPhone 4 with an external lens device attached called the OWLE Bubo, Canon DSLR XSi/T2i, S95, Sony Cybershot, Canon Powershot. Lenses used include: Macro 60mm, Telephoto 70-200, Canon 18-55mm, Canon 17-85mm. A tripod was used for Gigapan, telephoto, and HDR shots. Various types of mobile phones were also used for documentation shots and Geo-tagging. The photos were post-processed in Apple iPhoto and Adobe Photoshop Lightroom 3.

Description written by Erica Pallo with excerpts originally prepared by Ruth Tringham.

All photos Copyright ©2011 Center for Digital Archaeology, Berkeley CA, licensed under Creative Commons BY-NC 3.0 For more information, contact Center for Digital Archaeology, Berkeley, CA, 94720 or visit: www.codifi.info

For more information about El Presidio de San Francisco, visit: www.presidio.gov, or the Presidio Archaeology Lab of the Presidio Trust at: www.presidio.gov/history/archaeology.

Digital film-making instruction
Digital Film

Image by Anthro136k Spring2011
Scott Calhoun (standing), Media Programs Coordinator for CoDA speaks to the class about digital film making.

Photo by: Erica Pallo

Image name: RET_SFPresidio_072111_EPiPhone4_1792_JPG

Original filename: IMG_1792

Photographs in this collection have been produced by Erica Pallo and Connor Rowe in order to chronicle the course activities of the students of UC Berkeley Summer 2011 Anthropology 136E class, under the direction of professors Ruth Tringham and Michael Ashley, as they digitally document and interpret the cultural heritage of El Presidio de San Francisco (the Presidio of San Francisco) from the 18th to the early 19th Centuries.

The purpose of the course is to focus on the real world challenge of documenting archaeological places through the creation of interpretive walks and non-invasive site installations, specifically at the Presidio of San Francisco. The course focuses on the tangible remains and documents of the past, but also the intangible heritage in the form of memories, knowledge, performance, and skills of the past of the San Francisco Presidio and El Polin Spring (Tennessee Hollow Watershed).

The course involves the design, field trial, and documentation of these different formats of representation of cultural heritage places, with an emphasis on practical digital field recording combined with geo-temporal databases. The aim is to seek alternatives to permanent markers of information about places, and their tangible and intangible heritage, especially in sensitive sites, such as national or regional parks. The course takes advantage of the many specialists in these technologies in the Bay Area, especially the Presidio Archaeology Lab of the Presidio Trust, with whom the class has contact and who have offered to contribute their help to the course.

The San Francisco Presidio (37°47′N, 122°27′W) and surrounding areas (like the Mission Dolores) was a military-occupied fortification controlled by various empires/governments throughout history including Spain (1776-1821), Mexico (1822-1846), and the United States of America (1846-1994 as an Army post, with the ownership of the park to be fully transitioned to the National Park Service by 2013). Archaeological excavations began on the site in 1993 after development expansion projects unearthed parts of the original stone foundation of El Presidio’s Spanish fort beneath the Funston Avenue Officers’ Quarters by archaeological consultants working for the the U.S. Army.

Photographs in this collection were shot between July 5-August 12, 2011 during the hours of 9am-4pm Pacific Time under a multitude of atmospheric conditions. Photos were captured on the following cameras: Apple iPhone 4 with an external lens device attached called the OWLE Bubo, Canon DSLR XSi/T2i, S95, Sony Cybershot, Canon Powershot. Lenses used include: Macro 60mm, Telephoto 70-200, Canon 18-55mm, Canon 17-85mm. A tripod was used for Gigapan, telephoto, and HDR shots. Various types of mobile phones were also used for documentation shots and Geo-tagging. The photos were post-processed in Apple iPhoto and Adobe Photoshop Lightroom 3.

Description written by Erica Pallo with excerpts originally prepared by Ruth Tringham.

All photos Copyright ©2011 Center for Digital Archaeology, Berkeley CA, licensed under Creative Commons BY-NC 3.0 For more information, contact Center for Digital Archaeology, Berkeley, CA, 94720 or visit: www.codifi.info

For more information about El Presidio de San Francisco, visit: www.presidio.gov, or the Presidio Archaeology Lab of the Presidio Trust at: www.presidio.gov/history/archaeology.

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